Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Friday, April 30, 2010

A grand stairhall

While reading 'The private world of the Duke and Duchess of Windsor' by Hugo Vickers, recently, I was struck by the lush details in their stair hall in the Bois de Boulogne, Paris. I know a lot of people dislike the Duke and Duchess (and let me know why every time I post on them!), but they were incredible tastemakers in the mid 20th century, hiring the best of the best. This house was primarily decorated by Jansen and I think we can all agree to admiring them if not these particular clients! They supplied the sconces seen above, which incorporate the Royal Arms of the Stuarts.The incredible faux marble walls caught my attention first. I think I like them more than the real marble floors! The Louis XV desk in the entry hall is very useful, especially for hosts who keep a guest book, such as the Windsors.The faux marble commode was probably made for the couple in the 30s by another 'great' of the 20th century, Syrie Maugham. Isn't the stair railing gorgeous?
The trompe l'oeil painted ceiling is suitably grand for the house, much more appropriate than plain white! The lantern incorporates the Prince of Wales feathers and was brought to the house by the Duke from his house Fort Belvedere as was the banner which was brought from Windsor Castle.
Beautiful photography of the house in the book was by Fritz von der Schulenburg

Wednesday, March 17, 2010

The real Brideshead

Have you read this month's Vanity Fair (they have a great website btw!)? Featured is a book called 'Mad World: Evelyn Waugh and the Secrets of Brideshead' by Paula Byrne and I can't wait to read it. As most of us know, Brideshead Revisited was highly autobiographical for Waugh and this book digs into the details. I can't wait to read it!
I had to include this photo of Waugh from his wedding to Laura Herbert as it was so charming. How elegant is Laura - so wispily pretty and that dress is very modern!
You may recognize Madresfield Court, the real Brideshead, at the top of this post as well as the stairhall above, as it has been used in numerous masterpiece theater mystery episodes. I love this room! Cozy yet grand, mixing the best of the antique with the new -photographs and portraits, electric light and fireplace. During World War II, the house was planned as a place of evacuation for the Royal family.Here is Hugh Lygon, the 'real' Sebastian -quite dashing in his double breasted suit and slicked back hair- but not quite as handsome perhaps as Anthony Andrews who played the part in Brideshead revisited from 1981.
Above is Lord Beauchamp, the inspiration for Lord Marchmain, who was in exile from England like in the book, but for much more scandalous reasons! The real story behind this family was even more extraordinary than depicted by Waugh in Brideshead, hopefully this new book is a good read. I'll let you know!

See great 3-d tours of Madresfield HERE

All images from Vanity Fair

Tuesday, January 26, 2010

What goes around comes around.

Just think of this as the Eames chair of the eighteenth century!

From the book by fashion illustrator Jean-Philippe Delhomme, The Cultivated Life, published by Rizzoli

Thursday, December 10, 2009

Potsdam

I now have a personal scanner -exciting news here at ArchitectDesign! I wanted so much to share with you one of my favorite books, which if you love beautiful historic interiors, you must add to your library - Potsdam by Gert Streidt (author) and Klaus Frahm (who provided the lush photography). This is probably the design book I refer to the most -my comfort blanket. As an exchange student in high school, I visited this neighborhood of palaces outside of Berlin and knew that this is what my passion was -great residential design. I remember standing in this room above in Sancoucci (which I've blogged about before HERE) as if it were yesterday and being totally blown away. Known as the Voltaire room (he supposedly lived here while in residence at the palace from 1750 till 1753), the room features wood paneling painted a beautiful yellow, marble floors and a built in bed (Thomas Jefferson wasn't the only one!). The painted woodwork features fruits cultivated in the palace park and greenhouse. The goal of the rococo movement, used here and at which the Germans excelled, was to integrate the surroundings into a unified whole -this was accomplished in this room by using the same motifs on the walls, ceiling, chandelier and even embroidery.
Another favorite room featured in the book is the private writing room of the royal quaters at the New Palace (literally across the park from Sanssouci). Again we have beautiful painted wood paneling but an unusual porcelain framed mirror above the fireplace (not painted wood which is more usual). The amazing writing table is covered in tortoise shell and silver plated bronze overlays; So over the top gorgeous.
I saved the best for last. This desk, by Karl Friedrich Schinkel, is probably my favorite piece of furniture ever. It is located in the ladies-in-waiting drawing room at the Charlottenhof Palace, an AMAZING neoclassical house from 1839, also designed by Schinkel. The interiors are very simple, almost modern, and were considered very middle class in their day. This simplicity was due to a small budget but also the changing of fashion. The building stands in sharp contrast to some of the earlier rococo palaces featured in the area.
I hope this whetted your appetite - the book would be a perfect christmas gift!

Tuesday, October 27, 2009

Michael Smith Lecture

I had the pleasure tonight to attend a lecture given by Michael Smith (seen on the left, with Ali Wentworth speaking to his right) at the Corcoran Gallery of Art here in Washington, DC. Michael is a very talented and now very FAMOUS interior designer thanks to the coverage of his work in the private quarters for the Obamas at the White House (which he would not talk about). However, no stranger to publicity, he had his first project published at the tender age of 24 in a major publication! Images shown are from his website of one of my favorite projects he has completed, a townhouse in Eaton Square. Michael showed a great deal of images: both published and unpublished, older and recent as well as a brief rundown of his many product lines. While talking about the bedroom shown above, probably one of my top favorite published bedroom images, Michael mentioned his philosophy of a bedroom as 'a crib' or a cozy retreat. He is a fan of patterned walls and beds nestled against the wall.Michael quickly broke down his design philosphy in a very clever way and you can see examples of this throughout all his work: the mixture of 2 ideas (often opposing) that bring out the best features of both. Whether it be mostly modern with an antique painting thrown in or English country with a few pieces from Marrakesh, this tension is where the interest lies in his work- the true definition of an eclectic interior! He believes the discord "brings you into the moment by its contrast". At the same time, Michael is concerned with balance. He never wants a room to be 'too simple, too fancy, too cluttered', etc. In a very formal dining room he'll throw in a sisal rug in contrast to a patterned or scenic wallpaper.
Another of the mainstays of his work is investing in quality, classic pieces. He mentioned in his own homes (as he is always moving) keeping the same couches for decades and uphostering them when they get a bit shabby. I noticed throughout many of his own houses that he showed the same pieces kept showing up. If you love something, you will always make it work: Stay away from the overly trendy and never start from scratch!Michael said that being an interior designer is one of the most personal and private fields you can ever go into. You get to know your clients very intimately and you should never betray their trust, hence the 'don't ask don't tell' policy on the White House! He did however mention that his work there was to 'highlight the best of America' and not neccesarily the traditions of the White House.
Some of the most interesting things he talked about were during the Q&A which was cohosted by his hilarious friend Ali Wentworth, actress and wife of George Stephanopoulos (whose house was recently in Elle Decor magazine). He mentioned his use of layering numerous smaller carpets in a large room. The reason? Not for the 'look' per say, but more because he felt it was hard to find rugs he liked in appropriate sizes!
Michael easily (and often) admited to being proudly high maintenance. He said "I'm not the easiest decorator to have" because he wants to challenge his clients to be invested in their houses. He wants them to think about their choices and for their spaces to be true reflections of not just Michael's taste, but their own lives. He claims all of his projects are incredibly individualistic and won't ever take on a client who merely wants a copy of one of his previous jobs.
I hope you all enjoyed these little tidbits I gleamed from the lecture; it was an entertaining and charming way to spend a rainy evening! All quotes are in italics.

Wednesday, August 12, 2009

Seaside cottages

Since I'm away at the beach, I figured it was a good time to show some seaside cottages. Not the Newport variety, but actual cottages. The book 'Cottages by the Sea' by Linda Leigh Paul features a number of amazing cottages in Carmel, California. I had 2 favorites that I want to share with you.
The house seen at the top images of the post is called 'Hansel' -aptly named, don't you think? The street side is a quiet, almost fairy-tale cottage. The handmade quality of the finishes just adds to the charm. The designer, Hugh Comstock, designed the place in a folk tudor style to showcase his wive's 'Otsy-Totsy' dolls in 1924 to show to potential buyers as they had overflowed their own home. The interior is small at 300 SF but adorable. Efficient little beach cottage perfect for 1 or 2! I love the soaring ceiling. Thats a guest loft up the ladder from the living room.
Less of a cottage than a small house, the second project is more my speed to actually live in. I love this house!
The Hasenyager House was built in 1931 by MJ Murphy in a French Tudor style and was restored in 1987.The house, typical of the time period, features forest-green painted steel windows. You know I love those! I especially love this large rounded bay window in the living room seen above and below.
The garden is divided into 'rooms' and features a treasure trove of plants - roses, lupine, forget-me-nots, wisteria, iris, rhododendrons, lilacs, lavendar and rare trees. A perfect cottage garden!
The interiors are still cozy but not as tiny as the hansel house. I love the wood floors and beams.
The kitchen is obviously from the 1987 remodel but I don't mind it -the white cabinets and appliances are very beachy and I love the addition of the beautiful rugs and blue cabinet.
This is a book that is definitely worth checking out!

Tuesday, July 21, 2009

Details

The difference between good home design and average is all in the details. I was reminded of this recently by a book released by House Beautiful appropriately entitled 'It's all in the details'. The little bed nook seen at the top took a lot of care in detail drawings and planning -reminicent of the bed nooks seen in Europe so often in the 18th century. Don't you just want to curl up there, I do?! A detail like this is what probably made the home owners love their house!This beautiful staircase with a chippendale style banister, photographed by Grey Crawford, graces the cover and is what really drew me into the book. So much more interesting to a minimalist room like this than if the architect had chosen an equally simple railing.This room also features some beautifully minimal wood bookcases that match the craftsmanship of the staircase. (That is a mirrored fireplace screen in the lower right hand corner -I had to stare at it for about a minute to realize what it was!) The finishes in this house, designed by Barnes Vanze Architects, are the details that count here. The beautiful wood french doors and casements (from MQ windows) also are an important detail as all of their muntins align.
A modern day version of a french country house, the classic proportions are there, along with the wood and stone finishes but done in a more simple style that lets you appreciate the good bones.This graceful stair would not seem half as grand without the bronze railing. The space is further amplified through the traditional use of stone and classical furnishings. What details initially drew you to your home?